We are living in an extraordinary time. The pandemic has demanded that we experience something dramatic and tragic together. And we have experienced it as a community and as a nation. Indeed, everyone on the planet is experiencing a common foe: COVID. And during all of this, theatre and art survive. People have poured into the theatre since our reopening in March. We have produced … Continue reading The Artistic Home & Why We Need It

I am often asked, “What in the world prompted you to build five theatres!?!” My answer is simple: I did not set out to build five theatres. It just happened. Here is how it happened and why… We started the “resident operation” of FST in 1980. Before that, FST was an alternative touring theatre. The first five years we focused on producing challenging contemporary theatre. … Continue reading Five Theatres: A Case for Diversity

Welcome back. It’s the beginning of a new season. And this new beginning is filled with anticipation, excitement, and just the right amount of gleeful fear. Why? Because now, we set out on a journey to bring the best in contemporary theatre to one of the best audiences in the country. I am entering my 40th Season as your Artistic Director. When I started in … Continue reading Towards A Fervent Theatre

At FST, we are lucky to have such a large subscriber base. Subscribers are those individuals who sign up for an entire season of plays. There are significant dollar savings for the subscriber, plus subscribers get their choice of the best seats first. According to facts and figures provided by Theatre Communications Group (the service organization for the non-profit professional theatre in America), FST has … Continue reading Theatre for Audiences

New plays matter because they speak to the contemporary consciousness. FST has been developing and producing new plays since the mid-70s when Jon Spelman founded the theatre. Our New Play Development Program was “formalized” in the mid-80s. FST has produced over 100 new plays that have gone on to productions throughout the United States. We do it because new plays matter. New plays matter because … Continue reading New Plays Matter (More Than Ever)

Thirty years ago, I was peeking through the theatre curtain, watching FST’s production of Sam Shepard’s play True West. We had mounted a truly fine production of this remarkable new play, and audiences were thrilled with it. However, as I peered through the curtain I saw a young couple in their thirties sitting in the second row, who were clearly disengaged. I could not, for … Continue reading The Art or The Audience

We have a fantastic Mainstage line-up this Winter! It is the kind of season that comes together every five or ten years. It’s a “marquee” season: three of the plays received highly successful, high-profile Broadway productions and the fourth is a World Premiere. A Gentleman’s Guide to Love and Murder won the Tony Award for Best Musical, Best Book of a Musical, Best Direction, and … Continue reading A Marquee Season with Challenges and Entertainment